RECENT PROJECTS
In Parallax
Centralising the viewer in the space between IRL and VR, In Parallax expands the traditional architectural space of film, suspending perception to create two possible viewings of an interconnected but differently realised work.
Commissioned by Museum of the Moving Image (MoMI), New York. Supported by Creative Australia and artsACT.
Re(Evoke)
An ephemeral and immersive performance, Re(Evoke) manifests the visible light spectrum blending cinema-for-the-ear with bass-driven electronic soundscapes to create an inseparable audiovisual synthesis.
Premiere for Essential Tremors music + art series, curated by Angus Andrew [Liars], at Ainslie Art Centre, Kamberri/Canberra, and Phoenix Central Park, Gadigal Country/Sydney.
Intra Protocol
Shifting between traditional cinematic space and the microcinema of personal devices, Intra Protocol is an installation-performance which occupies and enlivens the ‘social architecture’ of cinemas.
Programmed for Australian Centre for the Moving Image x Liquid Architecture – Light: Works from Tate's Collection live event.
ALL WORKS
Assembly Now [Onsite+Online]
An in-gallery participatory installation and online interactive experience using the interface of the mirror as ubiquitous portraiture.
Inaugural exhibition for Metro Arts new main gallery building, in partnership with Brisbane Festival. Supported by Creative Australia.
Decompression
Spatial-Golding present an immersive space situated between cinema and club, specially made for a re-invented cinema context.
Commissioned by Tyneside Cinema, Newcastle, UK, for ‘Projections’ artists moving image series.
Breaching Transmissions
An audiovisual ‘Happening’ probing the haunted in modern media, Breaching Transmissions inhabits the space between illusion and perception to manifest spectral horror and the etheric double.
Commissioned by Melbourne International Film Festival in partnership with Grey Gardens. Supported by Creative Australia.
Your Double My Double Our Ghost
Intimacy, interaction and perception explored through multi-sensory projection, reflection and sonic composition in a participatory installation.
Exhibition premiere for South London Gallery, in partnership with Sound and Music, UK. Exhibition for Centre Tromsø Kunstforening.
Spatial-Golding
Multifarious live performance collaborations with UK musician and creative technologist Spatial transversing the club and gallery.
Light Begets Sound
A shifting project of generative feedback systems, amplified lighting, prepared screens, and phasing projection beams.
Face Of An Other
Golding’s seminal expanded cinema work using her body as a screen to investigate the undertones of ‘otherness’ through imagery and sound.
Spirit Intercourse
Audiovisual composition for the online or physical gallery space, pushing the thresholds of capture and display, and expectation and experience.
Amplified Light, optical sound & Physical Interventions
Performances exploring cine-sonic intervention and psychoacoustic broadcast, dissolving audience-technology-performer relationships.
Lathe Cut Audio & Studio Sound
Sonified photoelectric and vocal investigations informed by the experience of live performances, out on lathe and independent labels.
Out Of Body Out Of Mind
Participatory installation touching on presence and absence, the embodied and the virtual, incorporating the viewer’s own reflection.
Commissioned by Institute of Modern Art, Brisbane.
An Other Face: Spell For Living & Dying
Participatory installation musing on portraiture and folklore incorporating the viewer’s own reflection to consider the cycle of life.
Insights & Articles
Published articles dissecting digital art, sound art, and expanded cinema, from an artist-curator's perspective.
PARSING DIGITAL
Conversations in digital art by practitioners and curators. Edited by Sally Golding. Published by Austrian Cultural Forum.
“The senses that Golding’s work evokes and stimulates are connected to the processes of dissolution or a deterittorialisation of the self... [..] I feel myself vanishing, being emptied, being poured out, being remade into something else...[..] This is a something more wild, a something else freer.
This is what great visual art does – it sensationalises our carnal beings – it takes us home. It screws us up. It sets us free.”
I respectfully acknowledge the Traditional Custodians of the Ngunnawal and Ngambri nations, and their Elders past and present, who are part of the world's oldest continuing cultures,
on whose lands I am privileged to engage in art-making and knowledge sharing.